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THEATRE
| AUTHOR(S)' NAME(S) | TITLE | ISBN NUMBER |
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Véronique DESNAIN (University of Edinburgh, Scotland, United Kingdom) |
Hidden Tragedies: The Social Construction of Gender in Racine. |
978-1-889431-95-8 |
|
Ilinca ILIAN (University of Timisoara, Rumania) Lourdes RÍOS GONZÁLEZ (Universidad del Norte, Paraguay) |
Alain Saint-Saëns dramaturgo.
El Renacimiento del teatro paraguayo. |
978-1-937030-58-2 |
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Pedro CALDERÓN DE LA BARCA Edited by Kathleen Costales (University of Dayton, USA) |
No hay cosa como callar. | 978-1-937030-67-4 |
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Alain SAINT-SAËNS (Universidad del Norte, Paraguay) |
Artigas. Teatro. | 978-1-937030-86-5 |
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Jennifer COOLEY (University of Northern Iowa, USA) |
Courtiers, Courtesans, Pícaros, and Prostitutes: The Art and Artifice of Selling One's Self in Golden Age Spain. | 978-1-889431-77-X |
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María-José DELGADO/Alain SAINT-SAËNS (Capital University, USA/Institute for Advanced Studies, Paraguay) (Eds.) |
Lesbianism and Homosexuality in Early Modern Spain. Literature and Theater in Context. | 978-1-889431-53-2 |
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Sharon VOROS/Ricardo
SAEZ
(Naval Academy,
USA/ |
Aquel Breve Sueño. Dreams on Early Modern Stage. |
978-1-889431-51-6 |
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Anthony J. GRUBBS (Michigan State University, USA) |
The Playwright's
Perspective. Innovative Dramaturgy and its Poetics in Early Modern Spain. |
978-1-931948-95-1 |
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Pamela GAY-WHITE (Alabama State University, USA) |
Béjart
and Modernism. Case Studies in the Archetype of Dance. |
978-1-931948-23-2 |
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Valerie HEGSTROM (Brigham Young University, USA) Amy R. WILLIAMSEN (University of Arizona, USA) |
Engendering the Early
Modern Stage. Women Playwrights in the Spanish Empire. |
978-1-889431-47-8 |
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Rachid Boudjedra (Algeria) Translated by Véronique Machelidon (Meredith College, USA) |
Underground, Unknown, Unseen. | 978-1-931948-82-8 |
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Alain SAINT-SAËNS (Universidad del Norte, Paraguay) |
Soledad. Teatro. | 978-1-937030-75-9 |
| Matt C. WALDROOP | José Caldaso's LUGUBRIOUS NIGHTS and the Agony of Romantic Grief. | 978-1-889431- 41-0 |
|
Ruth
SÁNCHEZ-IMIZCOZ (The University of the South, USA) |
El teatro menor en la España del siglo XVII. | 978-1-889431-22-2 |
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Alain SAINT-SAËNS (Universidad del Norte, Paraguay) |
Ordeal at the Superdome. Escaping Katrina's Wrath. | 978-1-889431-87-7 |
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Michaela J. HEIGL (University of Dublin, Ireland) |
Theorising Gender, Sexuality and the Body in Calderonian Theatre. | 978-1-889431-84-2 |
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Monica LEONI (University of Waterloo, Ontario, Canada) |
Outside, Inside, Aside. Dialoguing with the Gracioso in Spanish Golden Age Theatre. | 978-1-889431-76-1 |
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Robert S. STONE (Naval Academy, USA) |
Picaresque Continuities. Transformations of Genre from the Golden Age to the Goethezeit. | 978-1-889431-40-0 |
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Jane W. ALBRECHT (Wake Forest University, USA) |
The Playgoing Public of Madrid in the Time of Tirso de Molina. |
978-1-889431-80-X |
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Alain SAINT-SAËNS (Universidad del Norte, Paraguay) |
Romeo y Julieta en el Marzo Paraguayo. | 978-1-937030-72-8 |
| Patricia BENTIVEGNA | Parody in the Género chico. | 978-1-889431-68-0 |
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Juan Ruiz
de Alarcón Translation/Edition: Dakin Matthews |
The Walls Have Ears. | 978-1-889431-36-2 |
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Juan Ruiz
de Alarcón Translation/Edition: Dakin Matthews |
The Truth Can't Be Trusted. | 978-1-889431-37-0 |
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Deborah DOUGHERTY (Alma College, USA) |
Heroes: Death Denied in Selected Dramas of the Golden Age. |
978-1-889431-43-5 |
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Edward H. Friedman
(Vanderbilt University, USA), H.J. Manzari and Donald D. Miller (University of Virginia, USA) |
A A Society on Stage.
Essays on Spanish Golden Age Drama. |
978-1-889431-19-2 |
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María E.
CASTRO DE MOUX (Naval Academy, USA) |
La casa de los
linajes. Oficios y gentes marginados en el entremés barroco español. |
978-1-889431-08-7 |
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Stacey
SCHLAU (West Chester University, USA) |
Viva al siglo, muerta al mundo. Selected Works/Obras escogidas by/de María de San Alberto, 1568-1640. | 978-1-889431-23-0 |
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